The works in this exhibition are based on the idea that plastic representation is the result of a personal cosmology. The experience of the landscape is the starting point from which the observer's identity is shaped, making the images a script for individual sensitivity and a model for understanding reality. The works are multifaceted perspectives on what is seen but they are also agents of change since observing and thinking about the landscape is also acting on it and as a result, they produce something new that did not exist before. The fascination of the work of art is this vision of individuality about the world, unrepeatable, unique and full of symbolism.

Sudden silence

Mixed media on canvas

400 x 140 cm

The works in "Ageless in the Raw" series started in 2022 and are related to the dynamic quality of the landscape and the perpetuation of its regeneration through a timeless matrix, that exposes to our eyes a vitality that constantly changes everything. Diving into the hyper-reality of an extensive context, results in a lot of information entering our senses, different from what we are used to in everyday life in cities. Living in a clean and lucid state of mind, within a natural landscape, are factors that amplify sensations, providing unique experiences of excruciating clarity, the result is a great activity of the imagination, which for these reasons, runs in many directions, leaving the feeling that there are more things under the sun than one suspects, this is another important point in the “Ageless in the Raw” series - seeing the world as an immense overlap of layers that dynamically mix in an internal osmosis - something that had to do with the raw landscape, where the human frame is missing. The raw state of the landscape highlights this void and the reaction is to fill it with an overvaluation of the dramatic charge, mythical facets that symbolized the action of telluric beings imprisoned in the primordial elements, characters that, although not visible, express themselves in the shadows of tangible things, as it happens in the presence of a certain group of trees along a waterline, the crunch of rocks, dancing flames of a forest fire or the roar of water through the polished stones of streams, simulating whispers and voices - I was interpreting organization and vitality of the natural world as being the result of the intervention of a supra-real entity, beyond reach in the sense of being on another level or in another dimension.

Solitude canyon#5

Mixed media on paper

140 x 95 cm

view with a shift #13

Mixed media on paper

50 x 35 cm

Something more than space

Mixed media on papel

70 x 50 cm

Forces that intersect and influence one another

Mixed media on canvas

50 x 70 cm

Ageless in the raw #7

Mixed media on canvas

400 x 140 cm

Working in series constitutes a sustained inquiry—an effort to probe a single idea through incremental shifts and subtle recalibrations. Each body of work evolves through variation: tonal adjustments, compositional displacements, or altered intensities of gesture. At times, these divergences extend beyond an implicit threshold, giving rise to a new series. Yet even in transition, continuity persists. What binds these groups together is as vital as the multiplicity that distinguishes them. The boundaries between series remain porous, resistant to rigid demarcation. Rather than signaling a rupture, each new cycle emerges as a reorientation within an ongoing investigation. What changes, fundamentally, is not the object of observation, but the mode of seeing—the perceptual framework through which it is approached and rearticulated.

A man who sees himself in the East

Mixed media on canvas

300 x 138 cm

Solitude canyon #11

Mixed media on canvas

280 x 200 cm

Ageless in the raw #10

Mixed media on canvas

300 x 150 cm

Solitude canyon #3

Mixed media on canvas

280 x 200 cm

Maelstrom #1

Mixed media on canvas

190 x 140 cm

Solitude canyon #1

Mixed media on canvas

120 x 160 cm